PERFORMANCE HIGHLIGHTS
Beat By Bits
En Liesse
The open-air adaptation of 16BIT, Paula Rosolen's exploration of the techno phenomenon. Representing stage performance in an outdoor setting, the performers seize, with the precision of a metronome, the energy inherent in techno music.
Performance seasons:
Festival Paris L’Été, Paris, France | 27-29 July 2023
Festival Jogging, Paris, France | 26-27 June 2024
Espace 1789 avec le Joli Mai | 30 May 2026
Bodylex
A timely dance work by choreographer Rhys Ryan, which weaves movement with metaphor to reveal the invisible laws that shape our actions.
Performed alongside Emma Riches, Isabelle Beauverd (Melbourne), and Anika de Ruyter (Adelaide). Nominated for Best Choreography (Green Room Awards 2022)
Dancehouse, Melbourne, Australia | 18-21 March 2021
Bakehouse Theatre, Adelaide, Australia | 22-26 February 2022
Noice/ Noise
Acclaimed far beyond Frankfurt, choreographer Paula Rosolen develops her new dance production from the gripping, shimmering roar that constantly surrounds us. In "Noice/Noise," the dancers cut a path through the noise, challenging it and, amidst a highly evocative stage design, creating a physical expression for the oscillation between clarity and chaos, simplicity and explosion. Everything is noise: wailing drunks on the last subway. Noise music. The overwhelming sound and image impressions of scrolling through social media. Op art. Or the endless churning of thoughts in one's own head that just won't stop. Noise never really stops.
Performance seasons:
Künstler*innenhaus Mousonturm, Frankfurt, Germany | 7-9 March 2025
Tanztendenz, Munich, Germany | 17 September 2025
schwere reiter, Munich, Germany | 6-7 March 2026
Aerowaves, Guimarães, Portugal | 7 May 2026
Nuit Blanche at Ground Control, Paris, France | 6 June 2026
“En Liesse” (in English “In Jubilation”) is an immersive choreographed performance by Bela and Côme for six performers and an active audience. It’s a big shared experience, reflecting our society: dancers and audience alike—we’re all participants. We question, we doubt together, and, above all, we set ourselves in motion to develop our power to act upon the world. There’s dancing, singing, and plenty of storytelling.
We come alone, and we leave as a community. Drawing inspiration from sociologist Bruno Latour’s reflections in Where to Land, the piece aims to redefine our interdependencies and our capacity for action to gain momentum, build dynamism, and set ourselves in motion!
Performance seasons:
Sore/Soustons, France | 20-21 November 2025
Tarnos, France | 6 February 2026
Labouheyre, France | 2 April 2026
GALLERY
'Synthetic Upper' by Rhys Ryan, 2017, photo by Jeff Busby
'Colour Correction' by Peas and Rice, photo by James Lauritz
'Gay Wrath Parade' by Paul Jackson, photo by Jeff Busby
'Quiet Death, Quiet Musical' by Nat Cursio, photo by Jeff Busby
'There's No Changing Yesterday' by Kate Denborough, photo by Jeff Busby
'Colour Correction' by Peas and Rice, photo by James Lauritz
'Colour Correction' by Peas and Rice, photo by James Lauritz
'Orpheus' by Forest Collective
'Quiet Death, Quiet Musical' by Nat Cursio, photo by Jeff Busby
'Sidewalk' by Stuart Shugg, photo by Jeff Busby
'Billy Soy: a silly boy', by Pia Lauritz at Out Of Bounds (an initiative by Phillip Adams BalletLab and Lucy Guerin Inc.). Photo by James Wright.
'Of Space and Time' by Angela Valdez, photo by Jeff Busby
'Gay Wrath Parade' by Paul Jackson, photo by Jeff Busby
'Self Repair' by Peas and Rice, photo by Ellyett Cranswick
'Billy Soy: a silly boy', by Pia Lauritz at Out Of Bounds (an initiative by Phillip Adams BalletLab and Lucy Guerin Inc.). Photo by James Wright.
Kuwaii short film by Paige Anderson