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      <image:caption>'Synthetic Upper' by Rhys Ryan, 2017, photo by Jeff Busby</image:caption>
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      <image:caption>'Colour Correction' by Peas and Rice, photo by James Lauritz</image:caption>
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      <image:caption>'Gay Wrath Parade' by Paul Jackson, photo by Jeff Busby</image:caption>
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      <image:caption>'Billy Soy: a silly boy', by Pia Lauritz at Out Of Bounds (an initiative by Phillip Adams BalletLab and Lucy Guerin Inc.). Photo by James Wright.</image:caption>
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      <image:caption>'Of Space and Time' by Angela Valdez, photo by Jeff Busby</image:caption>
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      <image:caption>'Billy Soy: a silly boy', by Pia Lauritz at Out Of Bounds (an initiative by Phillip Adams BalletLab and Lucy Guerin Inc.). Photo by James Wright.</image:caption>
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      <image:caption>Piaera is a Paris-based dancer, choreographer, internationally screened filmmaker, and Pilates teacher from Melbourne, Australia. She has performed in works by choreographers such as Paula Rosolen (Germany), Bela &amp; Côme (France), Alisdair Macindoe (Australia), and Rhys Ryan (Australia), and her films have been screened in festivals in over eight countries – with her 2019 work (like a) Less Dense Brick winning best film at Multiplié Dance Film Festival in Norway. She has a Bachelor in Fine Arts (Contemporary Dance) from the Victorian College of the Arts, and a Diploma in Professional Pilates Instruction though National Pilates Training.</image:caption>
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      <image:caption>Pia was a purple-lover, Rhys didn’t touch red (unless it was a sparkly dance costume!), and now the two love blue. What brings us to ascribe a value to a hue? In a bid to answer this question, Peas and Rice returned to Melbourne Fringe 2018 with a new work that investigated human relationships with colour.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ee20a17ba42ae276b72cee8/1597280398411-6WO1T9I2MN4YEQF1SM1G/Peas_Rice_1.jpg</image:loc>
      <image:title>Stage - Peas and Rice - Self Repair</image:title>
      <image:caption>The process by which a speech error in conversation is recognised and corrected by the speaker. Like analogue autocorrect or verbal sticky tape. In this work for Melbourne Fringe Festival 2017, Peas and Rice noticed they had some dialogic deficiencies to repair.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ee20a17ba42ae276b72cee8/1597280523063-5D64BAPKWJ3S9FUOYAQC/ColourCorrection_FB_Banner_2.jpg</image:loc>
      <image:title>Stage - Peas and Rice - Colour Correction</image:title>
      <image:caption>Pia was a purple-lover, Rhys didn’t touch red (unless it was a sparkly dance costume!), and now the two love blue. What brings us to ascribe a value to a hue? In a bid to answer this question, Peas and Rice returned to Melbourne Fringe 2018 with a new work that investigated human relationships with colour.</image:caption>
    </image:image>
  </url>
</urlset>

